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SERVING
SANTA CRUZ &
THE ENTIRE
BAY AREA

SINCE 1928

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TOM RALSTON CONCRETE

 

Imaging with metallic powders
Jerry Kidd and Hector Arellano with Creative Visions, Pine Grove, Calif., developed their own materials for their presentation. The first step was to color the slab with a thin layer of colored polymer cement, using an HVLP sprayer. They then placed an adhesive template with a precut graphic design. The same sprayer was used to build up polymer cement, with powdered copper in it, on the parts of the slab not covered by the template. The copper in the overlay behaves as would solid copper, so Kidd and Arellano were able to treat parts of their graphic with a patina chemical to achieve the same effect as on a bronze casting-giving the metal an aged appearance. Following this, they spent time on hands and knees with steel wool to polish the copper on other parts of the graphic before applying acrylic sealer.

Above: There Is currently high public Interest In concrete countertops. Here people crowd around Tom Ralston to see how the process works and to ask questions. Below: Workers use a hand-held planetary grinder to diamond polish a countertop.

Overlay cement techniques
Kelley Burnham, who owns Sensory Concrete, Clayton, Calif., likes to build relief into her work using overlay cement, coloring each layer with chemical- and water-based stains. Her

work for this demo looked like a topographic map of an eroded and fissured landscape. After covering her slab with a colored overlay, she used an adhesive template as a masking tool, cutting the shapes she wanted. She then troweled a thin layer of overlay cement into the unmasked areas, coloring it afterwards. She repeated the process of masking and applying overlay cement and coloring three or four times to complete the work. Her final product was also protected with sealer.



Using several layers of overlay cement, stained after each application, Burnham created this panel, which suggests a topographic map of a watershed landscaps.

Concrete countertops
Tom Ralston, owner of Tom Ralston Concrete, Santa Cruz, Calif., demonstrated the possibilities of cast-in-place concrete countertops --a decorative concrete medium that currently enjoys very high interest from concrete contractors and homeowners alike. He cast a small countertop before the demo started, to show the possibilities of using color and special aggregates. He then used a handheld planetary polishing tool with diamond cutting pads to put a high grit

finish on the surface. Ralston also showed the forming, casting, and finishing of a countertop onsite.

The meaning of creativity to the Industry
Twelve manufacturers provided finanoial support for this event, and approximately 7000 people viewed and photographed the work in progress and the finished results. In addition, approximately 25 people (thanks to the ASCC-DCC) volunteered their time to place concrete, clean up, and help with crowd control.

The artists, who also volunteered their time, are representative of the creative force that continues to add new dimensions and direction to this industry. Decorative concrete changes and grows through the efforts of people like these. We hope that the focus on creativity at this demonstration will encourage further interest in the decorative market. •

If you would like contact information for the artists involved in the demos or for any of the sponsors, circle I on the reader service card.

 

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